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1991 studio album past Red Hot Chili Peppers

Blood Carbohydrate Sex Magik
The four band members' faces with elongated tongues that wrap around a rose.
Studio album by

Cherry-red Hot Chili Peppers
Released September 24, 1991 (1991-09-24)
Recorded Apr – June 1991
Studio The Mansion (Los Angeles, California)
Genre
  • Funk rock
  • culling rock
  • funk metal [1] [2]
  • rap rock[3] [4] [v]
Length 73:42
Label Warner Bros.
Producer Rick Rubin
Red Hot Chili Peppers chronology
Female parent'south Milk
(1989) 		Blood Carbohydrate Sexual activity Magik
(1991) 		What Hits!?
(1992)
Carmine Hot Chili Peppers studio album chronology
Mother's Milk
(1989) 		Blood Carbohydrate Sex Magik
(1991) 		I Hot Minute
(1995)
Singles from Blood Sugar Sex Magik
  1. "Give It Abroad"
    Released: September iv, 1991
  2. "Under the Bridge"
    Released: March x, 1992
  3. "Suck My Buss"
    Released: May 1, 1992
  4. "Breaking the Girl"
    Released: July 30, 1992
  5. "If You Have to Ask"
    Released: February 1993

Blood Sugar Sex Magik is the fifth studio album by American stone ring Cherry-red Hot Chili Peppers, released on September 24, 1991, by Warner Bros. Records. Produced by Rick Rubin, its musical style differed notably from the band's previous album Mother'southward Milk (1989), reducing the employ of heavy metal guitar riffs and accentuating the melodic songwriting contributions of guitarist John Frusciante. The album's field of study matter incorporates sexual innuendos and references to drugs and expiry, also every bit themes of animalism and exuberance.

Blood Carbohydrate Sex Magik peaked at number iii on the US Billboard 200, and produced the hit singles "Under the Bridge", "Give It Away", "Suck My Kiss", "Breaking the Daughter", and "If Yous Have to Enquire". The album propelled the Cherry Hot Chili Peppers into worldwide popularity and critical acclaim. Frusciante quit the ring during the 1992 tour, uncomfortable with fame; he rejoined in 1998.

Blood Sugar Sex Magik is recognized as an influential and seminal component of the alternative stone explosion of the early 1990s, with Steve Huey of AllMusic calling information technology "probably the all-time album the Chili Peppers will ever make".[6]

Background [edit]

The band's previous album, 1989's Mother'due south Milk, became the ring's second album to enter in the Billboard 200, peaking at number 52 and at the fourth dimension the biggest of their career.[seven] Although the album was mildly successful, product was weighed downwardly by producer Michael Beinhorn. He convinced Frusciante to play with an overall heavier tone, and instructed Anthony Kiedis to write lyrics that would be more than radio-feasible, thus causing the band to experience restricted creatively.[8] [nine]

Equally the ring'due south contract with EMI came to an stop, they began looking for some other record characterization. The grouping reached a consensus to go with Sony BMG/Epic, with the proviso that they buy out their concluding album from EMI.[10] Though the label promised it would take only a few days, the process stretched out into several months.[10] Although a deal had been made with Sony/Ballsy, Mo Ostin of Warner Bros. Records called Kiedis to congratulate him on the successful bargain, and complimented the rival tape label.[xi] Kiedis recalled of the situation: "The coolest, about existent person we had met during all these negotiations had just personally called to encourage me to brand a slap-up record for a rival company. That was the kind of guy I'd want to exist working for."[12] The group pursued the idea, and somewhen dropped the contract with Sony in favor of a deal with Warner Bros. Ostin called an old friend at EMI, who immediately immune for the label transfer.[viii] [12]

Recording and production [edit]

Now settled into Warner Bros. Records, the Chili Peppers began looking for a suitable producer. I in particular, Rick Rubin, stood out, equally he was more broadminded than people the ring had worked with in the by, even though Rubin had turned down the chance to produce their 1987 anthology The Uplift Mofo Party Plan due to the drug problems of Kiedis and guitarist Hillel Slovak (who would die of a heroin overdose a twelvemonth later).[13] Unlike the Peppers' previous producers, Rubin was someone the band felt confident in to ask for guidance and input during times of difficulty. He would often help conform pulsate beats, guitar melodies and lyrics.[8] [14]

The band sought to tape the album in an unconventional setting, assertive it would enhance their creative output. Rubin suggested the mansion sorcerer Harry Houdini one time lived in, to which they agreed. A crew was hired to set a recording studio and other equipment required for production in the house in Los Angeles. The Peppers decided they would remain inside the mansion for the duration of recording, though according to Kiedis, Smith was convinced the location was haunted, and refused to stay.[15] He would, instead, come each mean solar day by motorcycle.[fifteen] [16] Smith himself disputes this account, and instead claims the real reason he did not stay at The Mansion was considering he wanted to exist with his wife.[17] Frusciante, nonetheless, disagreed with Smith, and said "In that location are definitely ghosts in the house," but he felt they were "very friendly. We [the ring] have naught but warm vibes and happiness everywhere nosotros go in this house."[xviii]

Frusciante, Kiedis and Flea each had their ain rooms in the house. When not recording with the band, Frusciante would spend his time painting, listening to music, reading and recording songs he had written.[15] Due to the seclusion, Kiedis ended up recording all his vocals in his room, as information technology was big enough to accommodate the recording equipment.[15] For more than 30 days, the Chili Peppers worked inside the house; Kiedis felt information technology was an accommodating and resourceful environment which immune him to complete the rest of the lyrics.[16] During production, the ring agreed to allow Flea'south brother-in-law certificate the creative procedure on moving picture.[15] When the anthology's recording was complete, the Chili Peppers released the flick, titled Funky Monks.

Music [edit]

Blood Sugar Sexual activity Magik was written at a more than rapid pace than the band's previous anthology.[19] Before the Chili Peppers relocated into the mansion, Frusciante and Kiedis collaborated at each other's homes, in order to suit vocal structures and guitar riffs.[20] Then they presented ideas to Flea and Smith, and as a whole, they decided on what they would utilise for the bass, guitar, song and percussion ensembles.

Kiedis focused lyrically on sexual references and innuendos, as they were frequently on his listen.[21] Songs such as "Suck My Kiss", "If Y'all Have to Ask", "Sir Psycho Sexy", "Give It Away" and "Blood Saccharide Sex Magik" all contained various sexual links, with lyrics like "A state of sexual low-cal / Kissing her virginity / My affinity" and "Glorious euphoria / Is my must / Erotic shock / Is a function of lust."[22] The concept backside "The Greeting Vocal" was a asking that Rubin had made. Rubin asked Kiedis to write a song solely well-nigh girls and cars. Although Kiedis disliked the concept, he wrote the song as Rubin requested and ended up disliking well-nigh every one of the lyrics' aspects.[19] Kiedis besides began writing songs about anguish, and the self mutilating thoughts he experienced thanks to his habit to both heroin and cocaine; he believed that his life had come to its lowest point under a bridge in downtown Los Angeles.[23] [24] Over a month later on, Rubin stumbled upon a poem that eventually become the lyrics to "Under the Span". As well, he suggested that Kiedis would evidence information technology to the band'due south other members. However, Kiedis was apprehensive considering he idea the lyrics were "too soft" and dissimilar from the band's style. After singing the verse to Frusciante and Smith, the band started working on the song's structure the adjacent solar day.[25] Both Rubin and Kiedis worked several hours on arranging the vocal'south chords and melodies until they both accepted it as complete.[25] Frusciante ultimately chose the chords he played in the intro so it could residuum out the song'south depressing atmosphere: "my brain interpreted information technology as being a really sad song so I thought if the lyrics are really deplorable similar that I should write some chords that are happier."[26] "Naked in the Pelting" was amid the commencement songs that the band wrote for the album. The Crimson Hot Chili Peppers even played once at the cease of the Female parent's Milk Bout in 1990, while the intros for "The Greeting Song" and "Sir Psycho Sexy" were too teased during the end of that bout; however, neither vocal was completed or had lyrics.

Blood Carbohydrate Sexual activity Magik integrated the band'south typical punk and funk style, merely moved away from that with more melodically driven songs.[six] Tracks similar "The Righteous and the Wicked", "Suck My Kiss", "Blood Sugar Sex Magik", "Requite information technology Away", and "Funky Monks" still incorporated the employ of heavy metal guitar riffs, but they differed from Mother's Milk since they contained less distortion.[27] Flea, who had centered his bass playing effectually the slapping technique, downplayed this, favoring more traditional and melodic bass lines.[28] He even adopted a minimalist, "less is more" philosophy, saying, "I was trying to play simply on Blood Sugar Sex Magik because I had been playing also much prior to that, and so I thought, 'I've really got to arctic out and play half equally many notes'. When you play less, information technology's more exciting—there'south more room for everything. If I practice play something busy, information technology stands out, instead of the bass existence a abiding onslaught of notes. Infinite is skilful."[28] Kiedis thought that the album had expanded the Scarlet Hot Chili Peppers' musical horizons and served as a departure from their previous cloth.[29] One of Blood Sugar Sex Magik's more melodic tracks, "Breaking the Girl", was written about Kiedis' constantly shifting relationships. He feared that he was following in his begetter'southward footsteps and merely becoming a womanizer, rather than establishing stable and long-term relationships:[23] "Every bit exciting and temporarily fulfilling as this constant influx of interesting and beautiful girls can exist, at the end of the mean solar day, that shit is lonely and you're left with nothing."[29] The track also featured a span in the heart, consisting of percussion instruments salvaged from a garbage dump.[30]

Although jams had always served equally an integral aspect of song cosmos for the Chili Peppers, Blood Sugar Sex Magik saw songs containing more structure. 1 specific jam caused the breakout song on the anthology: Frusciante, Flea, and Smith were all playing together—with Kiedis at another part of the room watching—when "Flea started playing this insane bass line, and Republic of chad cracked upwards and played along ... I always had fragments of vocal ideas or fifty-fifty specific isolated phrases in my listen. I (Kiedis) took the mic and belted out 'Give it away, give it away, give it abroad, give it away at present."[xxx] The philosophy behind the lyrics came from a conversation that Kiedis had with Nina Hagen, regarding selflessness and how insignificant material possessions were in his life. It, thus, gave developed the song "Give It Abroad".[30] He besides reminisced nigh late Chili Peppers guitarist Hillel Slovak, composing "My Lovely Man" in his memory.[23] [31] Kiedis wrote "Sir Psycho Sexy" as an over-zealous and exaggerated version of himself; a figure that could get whatsoever woman, and do anything he pleased to them.[31] "The Power of Equality" confronted topics concerning racial equality, prejudice, and sexism.[32] Kiedis wrote "I Could Have Lied" to certificate the brief relationship he had with Irish gaelic singer Sinéad O'Connor.[32]

Outtakes [edit]

Effectually 25 songs were written and recorded during the Blood Saccharide Sexual activity Magik sessions. Seventeen of those songs made the album's final cut. The anthology'southward singles contained four outtakes from the album sessions equally B-sides. Amid those songs were the instrumental "Fela's Cock", a cover of the Stooges' "Search and Destroy", and "Sikamikanico" (which would likewise appear on the Wayne's Earth soundtrack" in 1992). On Oct 3, 2019, the song was performed for the outset time ever at the request of guitarist Josh Klinghoffer for his 40th altogether.[33] The most notable outtake was "Soul to Squeeze", a song that would somewhen get a hit single in 1993 when it was released on the Coneheads soundtrack and was also included on the band's 2003 Greatest Hits anthology.

"Niggling Miss Lover" and "Castles Made of Sand" (a song the ring had been performing alive for a few years), ii Jimi Hendrix cover songs, would somewhen exist released in 2006 as iTunes bonus tracks. An unknown vocal appeared in the VH-1 Blood Sugar Sex Magik documentary, Ultimate Albums.[34] A rough mix of the album surfaced on the Net and contains some alternating versions of the songs recorded during the album's sessions.[35]

Artwork [edit]

Featured in the album cover booklet is a photographic collage of diverse tattoos the ring members have.

All photography, paintings and art direction for Blood Sugar Sex Magik were credited to filmmaker Gus Van Sant,[36] with the exception of the "natural language illustration", which, co-ordinate to the album booklet, is credited to Henky Penky (Henk Schiffmacher). The encompass of the album features the four band members' faces positioned around a rose, with thorny vines in black and white coming out of their open mouths and converging on the rose. The lyrics are printed in white lettering across a black groundwork, hand written by Kiedis.[36] The booklet also contains a collage of photos assembled to showcase the ring members' various tattoos, which feature faces of Native American tribal leaders, animals and ocean creatures, every bit well as various symbols and phrases. Photographs of each band member alone, and ii photographs of the band equally a whole are also included.[36]

Singles released to coincide with the album share picayune with Blood Sugar Sex Magik's artwork. The cover of "Give It Abroad" was a painting of a Chinese infant, surrounded by fish, vegetables, fruits and sushi; "Under the Bridge" is a photo of a span in the urban center of Los Angeles; "Suck My Buss" had a black and white photograph of the band, with Kiedis and Flea property a large fish; "If You Have to Inquire" is an illustration of an avocado adjacent to a girl'southward large buttocks in a yellow bikini; and "Breaking the Girl" featured a painting of a human being covered in magma.

Promotion and release [edit]

Blood Sugar Sexual practice Magik was released on September 24, 1991, the same solar day as Nirvana's breakthrough anthology Nevermind. Information technology was certified gilded on November 26, 1991, and certified platinum on April 1, 1992; since then it has gone vii times platinum in the United States.[37] The album peaked at number 3 on the Billboard 200.[38] [39] Originally, "Give it Away" did not fare well in the mainstream; one of Warner Bros.' target radio stations refused to air it, telling the band to "come dorsum to us when y'all have a melody in your song".[forty] KROQ (of Los Angeles), notwithstanding, began to play the unmarried several times daily, and that, according to Kiedis, "was the start of the infusion of 'Give It Away' into mass consciousness."[41] The single ultimately peaked at number nine on the United kingdom of great britain and northern ireland Meridian forty and number 73 on the Billboard Hot 100.[42] [43] Blood Sugar Sexual activity Magik has sold over 13 million copies worldwide.[44]

Due to the success of "Give information technology Away", the ring did not foresee "Under the Bridge" equally beingness equally feasible. Warner Bros. sent representatives to a Chili Peppers' concert in order to effigy out what would ultimately be the adjacent single. When Frusciante began playing "Nether the Span", Kiedis missed his cue; the entire audience began singing the song, instead. Kiedis was initially "mortified that I had fucked up in forepart of Warner's people ... I apologized for fucking up but they said 'Fucking upward? Are you kidding me? When every unmarried kid at the show sings a vocal, that's our next single.'"[45] "Nether the Span" was, therefore, selected as Blood Saccharide Sexual practice Magik's second single. By January 1992, "Under the Bridge" had exploded, peaking at number two on the Billboard Hot 100.[43] [45]

To promote the album in Europe, Kiedis and Frusciante both agreed they would make the trip.[xl] Nevertheless, it proved difficult for Frusciante to adapt to life outside of the mansion, after being in near-seclusion for nigh xxx days. Kiedis recalled of the state of affairs: "He had such an outpouring of creativity while we were making that album that I think he really didn't know how to live life in tandem with that creativity."[40] It was also during this period when Frusciante began to experiment with heroin, which further compromised his mental stability.[46] The European promotional trek took its toll on Frusciante, and he decided to return habitation when he and Kiedis reached London.[41]

Critical reception [edit]

Professional ratings
Review scores
Source Rating
AllMusic [6]
Encyclopedia of Popular Music [47]
Entertainment Weekly B−[48]
Los Angeles Times [49]
Mojo [50]
Pitchfork vii.1/10[51]
Q [52]
Rolling Rock [53]
Select iv/5[54]
Spin Alternative Record Guide eight/x[55]

Blood Carbohydrate Sex Magik was well received past critics, who praised the Chili Peppers for not overpowering the listener with heavy metal guitar riffs as their previous anthology had. Rolling Rock'south Tom Moon credited Rick Rubin for the change in style; Rubin "[gave] the Chilis' dynamic".[53] He went on to praise the overall sound, which "displayed a growing marvel nearly studio texture and nuance".[53]

Steve Huey of AllMusic said the album was "The Carmine Hot Chili Peppers' best album ... John Frusciante's guitar is less overpoweringly noisy, leaving room for differing textures and clearer lines, while the band overall is more focused and less indulgent."[6] He considered Blood Carbohydrate to exist "varying ... it expands the grouping'due south musical and emotional range."[vi] Guitar Player mag credited Frusciante with the Chili Peppers' desperate change in style: "by blending acid-rock, soul-funk, early art-rock, and blues style with a raw, unprocessed Strat-and-Marshall tone, [Frusciante] striking on an explosive formula that has even so to be duplicated".[56]

Devon Powters of PopMatters said that "in one funked-out, fucked upward, diabolical swoop, Blood Saccharide Sex Magik reconfigured my relationship to music, to myself, to my culture and identity, to my race and class".[57] In an commodity published in The Tampa Tribune, editor Philip Booth praised the record as "an ambitious endeavour that amounts to a culmination and blossoming of the musical forces that accept been brewing in the band'southward sound since Kiedis and Flea birthed the band in 1983".[58] Robert Christgau gave information technology an honorable mention in his Hamlet Vocalization consumer guide, naming "Give Information technology Away" and "Breaking the Girl" as highlights while writing "they've grown upward, they've learned to write, they've got a right to be sex mystiks."[59]

Chicago Sun-Times critic Michael Corcoran was more reserved in his praise, deeming the record "great" only on occasion while finding the length of the album excessive.[60] Blood Saccharide Sex Magik is considered to be an influential anthology, throughout the nineties, by establishing itself as a central foundation for alternative rock.[53] [57] [61] Information technology has also been referred to as "the cornerstone anthology of funk rock" by FasterLouder.[62]

"Under the Bridge", which became a breakout vocal for the band, was considered to exist a highlight of the album by several critics.[half-dozen] [53] [57] AllMusic reviewed the vocal individually and called it a "poignant sentiment ... it is self evident amongst the unproblematic guitar which cradles the introductory verse, and the sense of fragility that is only doubled by the all the same down-tempo choral crescendo", and ultimately "has become an integral part of the 1990s alterna-landscape, and remains one of the purest diamonds that sparkle amongst the rough-hewn and rich funk chasms that dominate the Peppers' own oeuvre."[63] Even so, Entertainment Weekly criticized the seriousness that the Red Hot Chili Peppers explored as beingness "disapproving of the band's usual Red Hot antics", and "Under the Bridge" had "fancy-shmancy touches".[48] The song ended up peaking at number 2 on the Billboard Hot 100 in April 1992.[63]

"Give Information technology Away" was also praised, though equally "... a free-associative mixture of positive vibes, tributes to musical heroes, and gratuitous dearest", with Frusciante "adding the song'southward 2 almost unpredictable change-ups: a sudden contrast to Kiedis' hyperactivity in the form of a languid solo pre-recorded and dubbed backwards over the rhythm track, and a hard-rocking riff which is not introduced until the vocal's outro".[64]

Tracks such every bit "Sir Psycho Sexy", nonetheless, were criticized for being overly explicit. Devon Powters of PopMatters said that "Eight minutes of 'Sir Psycho Sexy' will plough RHCP'south young listeners into quivering masses of hormonal jello. Oversexed lines sneak their way into 'Apache Rose Peacock'; 'Blood Sugar Sex Magik', merely, sounds like fucking. Even the purest virgin comes away from Claret Sugar Sexual activity Magik with a degree of sexual maturity; fifty-fifty the slickest playa can acquire a couple of new moves."[57]

In contrast, "Suck My Buss", according to Amy Hanson of AllMusic, "completely flew in the face of the established pecking club of alternative stone."[65] With the vocal, the Chili Peppers "fully allied themselves with the very few genre-bending bands that were able to make a radical impact on the sonic landscape that was dominated, it seemed, from every minute angle by grunge."[65]

Accolades [edit]

Tour and Frusciante's departure [edit]

Before the Blood Sugar Sex Magik tour began, Kiedis saw the music video for the Smashing Pumpkins' "Rhinoceros" on MTV. He called the band'south manager[ clarification needed ] and asked him to accommodate the Not bad Pumpkins for the tour.[76] Several days after the Pumpkins confirmed they would back-trail the Chili Peppers, former Chili Peppers drummer Jack Irons called and asked the band to let his friend's new group, Pearl Jam, to open for them on the forthcoming tour.[76] [ clarification needed ]

The beginning show following the release of Blood Sugar Sex Magik was at the Oscar Mayer Theater in Madison, Wisconsin,[76] which was met with positive reactions from the Milwaukee Journal: "the audience was a swirling mass of airborne cups, ice cubes, shoes, shirts, pogo dancers, body-passers and phase divers. And information technology wasn't purely a boy's social club in the moshpit—many females bought into the mayhem, stripping down to their bras and flinging themselves about madly as the band tore through 'Higher Footing', 'Suck My Kiss', and 'Give it Away', which was Goth-ed up past Frusciante when he added a riff from Black Sabbath's 'Sweet Leaf'."[77]

Claret Sugar Sex Magik began receiving heavy radio play and massive sales in the center of their U.S. tour. Frusciante, who wanted the Chili Peppers to remain in the underground music scene, entered a state of denial and depression.[78] Co-ordinate to Kiedis, "He began to lose all of the manic, happy-become-lucky, fun aspects of his personality. Even onstage, there was a much more serious free energy around him."[78] Frusciante began to form grudges against his bandmates.[eight] [78] He saw the band'due south newfound popularity equally shameful.[78]

Onstage tension began to grow between Kiedis and Frusciante.[eight] Kiedis recalled an argument after a show in New Orleans: "We had a sold-out house and John simply stood in the corner, barely playing his guitar. We came offstage and John and I got into it."[79] With the Peppers now playing shows at arenas rather than theaters, the promoters decided that Pearl Jam should be replaced with a more successful act.[79] Kiedis contacted Nirvana drummer Dave Grohl, who accustomed an offer for Nirvana to supplant Pearl Jam. The Keen Pumpkins' Billy Corgan, nonetheless, refused to play with Nirvana equally he had in one case dated frontman Kurt Cobain's wife Courtney Love. The Pumpkins were, therefore, replaced with Pearl Jam.[61] [80]

Their kickoff prove with Nirvana was at the Fifty.A Sports Arena. Kiedis described their deed equally "raw free energy; their musicality, their song pick, they were like a chain saw cutting through the night".[80] When the Cerise Hot Chili Peppers finished touring with Nirvana, they traveled to Europe, where Frusciante, in demand of someone to connect to, brought along his girlfriend Toni Oswald. Kiedis said that "John had broken our unwritten rule of no spouses or girlfriends on the road".[76] Briefly interrupting the European tour, the Chili Peppers flew to New York Metropolis and performed on an episode of Sabbatum Dark Alive. They played "Nether the Bridge" equally the second song; a performance that Kiedis felt was sabotaged past Frusciante:[81]

[Frusciante] was experimenting the style he would have if we'd been rehearsing the tune. Well nosotros weren't. We were on live Boob tube in front of millions of people and it was torture. I started singing in what I thought was the key he was playing in. I felt similar I was getting stabbed in the back and hung out to dry in front of all of America while this guy was off in a corner in the shadow, playing some dissonant out-of-tune experiment.

The ring took a ii-week hiatus between the European and Japanese legs of the tour, which began in May 1992.[ clarification needed ] Minutes earlier the Chili Peppers were scheduled to perform in Tokyo, Frusciante refused to go along stage, maxim he had quit.[8] [23] [82] After half an hour of coaxing, Frusciante agreed to play the show, though he said it would be his final. Kiedis recalled of the situation: "It was the most horrible evidence e'er. Every single note, every unmarried word, hurt, knowing that we were no longer a band. I kept looking over at John and seeing this expressionless statue of disdain ... And that night, John disappeared from the topsy-turvy world of the Red Hot Chili Peppers."[82] The band hired guitarist Arik Marshall to complete the tour, which included Lollapolooza and several European festivals.[8] [83] [84] He was fired at the stop of the bout.[83]

Legacy [edit]

Blood Sugar Sex activity Magik was placed atop many "Best Of" lists, especially those pertaining to the '90s. Spin mag charted the anthology at number 58 on their "Elevation 90 Albums of the 90s", and Pause and Play ranked it number eleven on a similar list.[67] [70] In a 2021 article listing "The Best Albums of 1991" from the staff of Paste magazine, Blood Sugar Sex Magik ranked number xv on the list.[5] The record was too placed in Guitarist Magazine'due south "101 Essential Guitar Albums";[72] and included in the book 1001 Albums You Must Hear Before You Dice.[85]

In 2003, Rolling Stone released their list of the 500 Greatest Albums of All Fourth dimension with Blood Sugar Sex Magik ranked at 310.[86] In 2012, a revised list was released with Blood Sugar Sex activity Magik over again ranked at 310.[87] In 2020, Rolling Stone again released a revised version of their list with Blood Sugar Sexual activity Magik at present ranking much higher at 186.[88]

Runway listing [edit]

All tracks are written by Cerise Hot Chili Peppers, except where noted.

Blood Sugar Sex Magik track listing
No. Title Writer(s) Length
1. "The Power of Equality" 4:03
2. "If You Accept to Enquire" 3:36
3. "Breaking the Girl" 4:55
4. "Funky Monks" 5:22
5. "Suck My Osculation" iii:36
6. "I Could Have Lied" four:04
seven. "Mellowship Slinky in B Major" 3:59
8. "The Righteous & the Wicked" 4:07
9. "Give It Abroad" 4:42
10. "Claret Sugar Sex Magik" 4:31
11. "Under the Bridge" 4:24
12. "Naked in the Rain" 4:25
xiii. "Apache Rose Peacock" 4:41
14. "The Greeting Song" 3:13
15. "My Lovely Man" 4:39
16. "Sir Psycho Sexy" 8:16
17. "They're Crimson Hot" Robert Johnson 1:09
Full length: 73:42
iTunes digital bonus tracks
No. Title Writer(southward) Length
18. "Little Miss Lover" Jimi Hendrix 2:38
19. "Castles Fabricated of Sand" Jimi Hendrix three:21
Total length: 79:54

Personnel [edit]

Credits adjusted from AllMusic.[89]

Red Hot Chili Peppers

  • Anthony Kiedis – lead vocals, percussion on "Breaking the Girl"
  • John Frusciante – electric and acoustic guitars, backing vocals, percussion on "Breaking the Girl"
  • Flea – bass, backing vocals, trumpet on "Apache Rose Peacock", piano on "Mellowship Slinky in B Major", percussion on "Breaking the Daughter"
  • Chad Smith – drums, tambourine on "Funky Monks", "Mellowship Slinky in B Major", "If You Have to Enquire", "Sir Psycho Sexy" and "Give It Away", marimba on "Sir Psycho Sexy", percussion on "Breaking the Girl"

Additional musicians

  • Brendan O'Brien – Mellotron on "Breaking the Girl", "If You Take to Ask" and "Sir Psycho Sexy", Hammond B-iii Organ on "Suck My Kiss", "Nether The Bridge"[xc] and "Give It Away", toy celeste on "Apache Rose Peacock"
  • Gail Frusciante and her friends – choir vocals on "Under the Bridge"
  • Pete Weiss – Jew's harp (credited equally juice harp) on "Give Information technology Abroad"

Production

  • Brendan O'Brien – applied science, mixing (with Rick Rubin)
  • Rick Rubin – producer
  • Howie Weinberg – mastering
  • Chris Holmes – mixing

Pattern

  • Gus Van Sant – art direction

Charts [edit]

Certifications [edit]

References [edit]

  1. ^ Stanley, Bob (2013). Aye Aye Yeah: The Story of Mod Popular. Faber & Faber. ISBN978-0-571-28198-five. Archived from the original on May 21, 2021. Retrieved October xv, 2020.
  2. ^ Gittins, Ian (2015). The Periodic Tabular array of Heavy Rock. Random House. ISBN978-1-78503-165-six. Archived from the original on May 21, 2021. Retrieved October xv, 2020.
  3. ^ "Ruddy Hot Chili Peppers – Claret Sugar Sexual activity Magik". Double J. September 8, 2016. Archived from the original on May 21, 2021. Retrieved Jan 13, 2020.
  4. ^ Jenkins, Marking (October 27, 1991). "California's Funk-Metalists, Putting on Airs". The Washington Post. Archived from the original on July two, 2018. Retrieved September 8, 2021.
  5. ^ a b c Jackson, Josh (May 31, 2021). "The Best Albums of 1991". Paste . Retrieved September 8, 2021.
  6. ^ a b c d eastward f Huey, Steve. "Claret Sugar Sex Magik – Ruddy Hot Chili Peppers". AllMusic. Archived from the original on August 17, 2012. Retrieved July 21, 2007.
  7. ^ "Mother'southward Milk". Billboard. Archived from the original on September 29, 2007. Retrieved June seven, 2007.
  8. ^ a b c d eastward f g VH1's Behind the Music: Ruby Hot Chili Peppers – 2002
  9. ^ Kiedis, Sloman, 2004. pp. 240–44
  10. ^ a b Kiedis, Sloman, 2004. p. 260
  11. ^ Kiedis, Sloman, 2004. p. 261
  12. ^ a b Kiedis, Sloman, 2004. pp. 261–262
  13. ^ Kiedis, Sloman, 2004. p. 257
  14. ^ Kiedis, Sloman, 2004. pp. 270–280
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Bibliography [edit]

  • Apter, Jeff (Nov 23, 2004). Fornication: The Red Hot Chili Peppers Story. Omnibus Printing. ISBN1-84449-381-4.
  • Kiedis, Anthony; Sloman, Larry (Oct 6, 2004). Scar Tissue. Hyperion. ISBN1-4013-0101-0.

External links [edit]

  • Blood Carbohydrate Sex Magik at Discogs (listing of releases)

browntramere.blogspot.com

Source: https://en.wikipedia.org/wiki/Blood_Sugar_Sex_Magik

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