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Whittier Character Bring It on Again Opening Cheer Bring It on Again Opening Cheer

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2000 film directed past Peyton Reed

Bring It On
Bringitonmovieposter.jpg

Theatrical release poster
Directed by Peyton Reed
Written by Jessica Bendinger
Produced by
  • Marc Abraham
  • Thomas Bliss
Starring
  • Kirsten Dunst
  • Eliza Dushku
  • Jesse Bradford
  • Gabrielle Union
Cinematography Shawn Maurer
Edited past Larry Bock
Music past Christophe Beck

Production
company

Beacon Pictures
Distributed past
  • Universal Pictures (United States)
  • Buena Vista International (International)[1]

Release date
  • August 25, 2000 (2000-08-25)

Running time

 99 minutes
Land The states
Language English
Budget $11 million[2]
Box office $90.5 meg[2]

Bring It On is a 2000 American teen cheerleading comedy film directed by Peyton Reed and written by Jessica Bendinger. The film stars Kirsten Dunst, Eliza Dushku, Jesse Bradford, and Gabrielle Union. The plot of the film centers around a high school cheerleading squad's preparation for a national contest.

Bring Information technology On was released in theaters in North America on August 25, 2000 and became a box office success. The picture opened at the number one spot in North American theaters and remained in the position for two sequent weeks, earning a worldwide gross of approximately $90 one thousand thousand. The film received mixed to positive reviews at the fourth dimension, just in the years since, the film has become a cult classic.[3] [four] [5]

It was the get-go of the Bring It On picture series and was followed by six direct-to-video sequels, none of which contain any of the original bandage members: Bring Information technology On Over again (2004), which shared producers with the original, Bring It On: All or Null (2006), Bring It On: In It to Win Information technology (2007), Bring Information technology On: Fight to the Finish (2009), Bring It On: Worldwide Cheersmack (2017), and the upcoming Telly film Bring It On: Cheer or Die. [half dozen]

Plot [edit]

Cheerleader Torrance Shipman is a senior at Rancho Carne High School in San Diego. Her boyfriend, Aaron, is at college at Cal State Dominguez Hills, and her cheerleading squad, the Toros, is aiming for a sixth consecutive national championship. Torrance is elected the next squad helm, replacing her highly successful predecessor, "Big Blood-red" after she graduates. In her get-go practise equally captain, teammate Carver is injured and forced to sit the residue of the flavor out. Torrance holds auditions for a replacement and gains Missy Pantone, a skilled gymnast who transferred from Los Angeles with her twin brother, Cliff.

While watching the Toros practice, Missy accuses the team of stealing the routine from a rival squad, a plagiarism Torrance was unaware of. Missy takes Torrance to LA to watch the East Compton Clovers who perform an identical routine. Isis, the Clovers captain, notices the girls and confronts them for plagiarism. They larn that Big Red regularly came to their games and videotaped the Clovers routines to be used for the Toros. The Clovers vow to beat the Toros in competition which they couldn't beget to nourish in previous years and prove that they are meliorate cheerleaders, furthering Torrance'due south' anxiety that she is cursed after she dropped the Spirit Stick at cheer camp over the summer. Meanwhile, Torrance and Cliff begin to go to know each other and a common attraction grows between them equally Aaron becomes more distant.

Later on Torrance tells the Toros about the routines, the team votes in favor of using the current routine to win; Torrance reluctantly agrees. At the Toros' side by side home game, Isis and her teammates perform the Toros' routine in front of the whole schoolhouse, humiliating them. After advice from Aaron, Torrance recruits the team to raise money through a car wash and hire choreographer Sparky Polastri. Polastri puts the whole team on a diet and regularly belittles them, merely the team learns the routine in fourth dimension for competition. At Regionals, the team scheduled before the Toros performs Sparky'due south routine, embarrassing the team. Torrance speaks to a competition official and learns their choreographer has provided the routine for six other teams. As the defending champions, the Toros are granted their place in Nationals in Daytona Beach, Florida, but Torrance is warned that a new routine will be expected. Big Red chastises Torrance for her disability to be a leader and says that if she made any mistake as a squad leader, it wasn't stealing cheers, just it was announcing Torrance as her successor. Crushed by Big Red's words and her failure to lead the squad successfully, Torrance considers quitting.

Aaron recommends that Torrance step down from her position as helm and considers to sell her out to her team rivals, Courtney and Whitney. When Cliff sees Torrance and Aaron together, he severs his friendship with her. Torrance breaks up with Aaron afterwards confronting him near beingness distant, as well as communicable him cheating on her. She uses Cliff'due south previous encouragement, and his personally made mixtape for her as inspiration for the team to come up up with an original routine. When the Toros learn that the Clovers are unable to become the funds to pay for nationals, Torrance asks her father's company to sponsor the squad, which Isis refuses. Instead, the Clovers write to a local talk testify host to become the funds needed to go to Florida. At Nationals, both the Toros and the Clovers make it to finals with Cliff making a surprise appearance in the audience to cheer the team on. Torrance and Isis give each other last minute advice. Ultimately, the Clovers come up out victorious with the Toros coming in at a shut 2nd. Despite their loss, the Toros and Clovers exit with a newfound respect for each other, with Isis complimenting Torrance on leading the team and Torrance admitting the Clovers were deserving of their victory. As the Toros gloat another successful flavor, Cliff and Torrance share a kiss.

Cast [edit]

  • Kirsten Dunst as Torrance Shipman
  • Eliza Dushku equally Missy Pantone
  • Jesse Bradford as Cliff Pantone
  • Gabrielle Union as Isis
  • Clare Kramer every bit Courtney
  • Nicole Bilderback as Whitney
  • Tsianina Joelson every bit Darcy
  • Rini Bell as Kasey
  • Nathan West as Jan
  • Huntley Ritter equally Les
  • Shamari Fears as Lava
  • Natina Reed as Jenelope
  • Brandi Williams as LaFred
  • Richard Hillman as Aaron
  • Lindsay Sloane as "Big Red"
  • Bianca Kajlich as Carver
  • Paige Inman every bit Jessica
  • Holmes Osborne as Bruce Shipman
  • Sherry Hursey as Christine Shipman
  • Cody McMains every bit Justin Shipman
  • Ian Roberts as Sparky Polastri
  • Ryan Drummond as Theatre Boy
  • Peyton Reed cameos as a mime.

Product [edit]

Development [edit]

Jessica Bendinger, a former journalist and music video director, originally pitched the idea for the moving picture, then titled Cheer Fever, as "Clueless meets Strictly Ballroom set at the National High Schoolhouse Cheerleading Championships", saying she was obsessed with cheerleading competitions on ESPN.[7] Bendinger said the thought combined her love for hip hop music and cheerleading.[vii]

The film's depiction of cultural cribbing was informed past Bendinger'southward experiences every bit a white writer roofing hip hop artists at music mag Spin, a predominantly white publication.[7] [8] Said Bendinger: "Having seen white kids emulating hip hop moves at those [cheer] competitions, I idea, 'Well, what if.' I started asking what if questions...until I got to, what if the all-time team in the country had been stealing their routines? What if that squad they'd been stealing from finally came to show up and compete for their crown?"[7]

Bendinger's pitch was passed over 28 times earlier finding a habitation at Buoy Pictures.[7] [nine]

Marc Abraham and Thomas Bliss came on board to produce the film, as well as director Peyton Reed who had previously helmed two made-for-tv set films for Walt Disney.

Casting [edit]

Prior to auditioning for the flick, actors were expected to accept a cheer prepared.[10] To avoid the use of stunt doubles, Reed required all the actors to participate in a four-week cheerleading army camp.[10] Reed and Gabrielle Union met numerous times to discuss the best way to approach her character.[10] "I think she was able to find what was cool about that character, in a way, I doubt other actresses could," Reed explained in an interview, "Whenever she's on the screen she has this charisma."[10]

James Franco and Jason Schwartzman both auditioned for the role of Cliff Pantone.[9] Marley Shelton was the first pick for the role of Torrance Shipman but she decided to star in the movie Sugar & Spice instead.[9]

Filming [edit]

While editing the film, Reed and editor Larry Bock watched cheerleading exploitation films from the 1970s.[4] The film clip shown to the cheer squad during the 'types of dance inspiration' montage is from Sweet Charity.[eleven]

Virtually of the scenes in the film were shot in unlike locations and high schools in San Diego County, California, as well as San Diego State University.[12] [thirteen] Local high schoolhouse cheer squads were used as extras.

Reception [edit]

Box office [edit]

Bring It On was released in North America on August 25, 2000. The picture show grossed $17,362,105 in 2,380 theaters during its opening weekend, ranking first at the North American box office.[fourteen] Although it experienced an 18% decline in gross earnings, the film held the meridian position for a 2nd consecutive week, and later on a third.[14] The film went on to gross $68,379,000 in N America and an additional $22,070,929 in other territories for a total gross of $90,449,929.[2]

Critical response [edit]

Many critics felt the film displays Dunst's range as an actress.

The film received a 63% approval rating on Rotten Tomatoes based on 120 reviews, with an average rating of 6.00/x. The site's consensus reads: "Despite the formulaic fluffy storyline, this picture show is surprisingly fun to watch, mostly due to its loftier energy and how it humorously spoofs cheerleading."[15] On Metacritic the film has a weighted average score of 52 out of 100, based on 31 reviews, indicating "Mixed or boilerplate reviews".[16] Audiences surveyed past CinemaScore gave the picture show a grade B on scale of A to F.[17]

A. O. Scott from The New York Times commended the picture for the power to "gesture toward serious matters of racial/economical inequality", every bit well equally for its "occasional snarl of genuine satire".[18] Kevin Thomas of the Los Angeles Times as well favored the film, calling it a "Smart and sassy loftier school movie fun for all ages."[19] In addition, Thomas commended the film for how information technology "subversively suggests that sometimes there are more than important values in life than winning", too as for its inclusion of a gay cheerleader character who is comfortable in his sexuality.[nineteen] Kim Morgan of The Oregonian dubbed the picture show the "newest, and probably get-go, cheerleading flick."[xvi] Michael O'Sullivan of The Washington Post likewise gave a positive review, praising the moving-picture show'southward "tart, taut script past get-go-time screenwriter Jessica Bendinger" likewise as its depiction of teenagers.[20]

Nonetheless, some reviewers criticized the plot and tone of the picture show. Roger Ebert from the Chicago Lord's day-Times disliked how the picture's bowdlerizing of crude humor to avert an R rating resulted in a tonally inconsistent film. Ebert opined, "We get a strange mutant animal, half Nickelodeon movie, half R-rated comedy. It's like kids with potty-mouth playing grownup", and awarded the film two out of 4 stars.[21]

David Sterritt of The Christian Science Monitor praised the writing, though he also likened the storyline'south simplicity to "the average football cheer".[22] Vicky Edwards from the Chicago Tribune plant the motion-picture show "Absurdly unrealistic at times."[23] The Seattle Postal service-Intelligencer 'southward Paula Nechak concluded the moving picture was "predictable and surprisingly confusing in its ultimate bulletin."[24]

Many critics praised Kirsten Dunst's functioning. In his review, A. O. Scott called her "a terrific comic extra, largely because of her great expressive range, and the nimbleness with which she tin can shift from feet to aggression to 18-carat hurt."[eighteen] Charles Taylor of Salon notes "among gimmicky teenage actresses, Dunst is the sunniest imaginable parodist."[25] Jessica Winter from The Village Vocalisation shared this sentiment, commenting "[Dunst] provides the merely major chemical element of Bring Information technology On that plays as tweaking parody rather than slick, strident, trunk-slam churlishness."[26] Peter Stack of the San Francisco Chronicle, despite giving the moving-picture show an unfavorable review, commended Dunst for her willingness "to be as silly and cloyingly amusing as it takes to become through a slapdash picture."[27]

Accolades [edit]

The film ranked #30 on Entertainment Weekly 's list of the l All-time High School Movies.[28] Roger Ebert recanted his initial negative impression of the pic, later referring to Bring It On every bit the "Denizen Kane of cheerleader movies."[29] [30]

Cultural touch on [edit]

In the years since its release, Bring It On has been lauded for being a rare teen film to accost issues of systemic inequality,[5] cultural cribbing, and intersectional feminism,[31] [32] which are seen as major factors for the moving-picture show's continued legacy.

Beatrice Hazlehurst of i-D wrote, "While its racial inclusion — particularly amid primary characters — already put the film far ahead of its fourth dimension, the dynamics of social strata woven throughout the tapestry of Bring Information technology On allow information technology to concur up so well 20 years later. By wrapping its arms narratively around 'not but people of colour, but queer kids and kids who might feel othered,' Bendinger says Bring It On offered the overlooked and ostracized the chance to run into themselves on screen."[5]

This was echoed past player Jesse Bradford who said, "[The pic] managed to shine a light on problems like cribbing and white fragility… in lite of recent history, Bring It On seems relevant correct now."[5]

Legacy [edit]

Sequels [edit]

Bring It On is followed five direct-to-video sequels:

  • Bring It On Once again (2004)
  • Bring It On: All or Nothing (2006)
  • Bring It On: In It to Win Information technology (2007)
  • Bring It On: Fight to the Finish (2009)
  • Bring It On: Worldwide Cheersmack (2017)

Bring It On is likewise followed by a television film sequel:

  • Bring It On: Cheer or Die (2022)[6]

The simply sequel to characteristic whatever of the original filmmaking crew from Bring It On was 2004'due south Bring It On Again. The producers of the original film did not render for sequels after Bring It On Again, and none of the films share recurring cast members. Original star Eliza Dushku is quoted in interviews as never having been invited to participate in the sequels.[ citation needed ] Steve Rash directed two of the sequels and Alyson Fouse wrote four screenplays. Otherwise, none of the films in the Bring Information technology On franchise share personnel.

The five released films following Bring It On share tenuous plot links. The plot of each film typically follows the commencement film—a competitive cheerleading team changes routines or other elements to win.

Stage musical [edit]

A stage version of the film premiered at the Brotherhood Theatre, Atlanta, Georgia on January 16, 2011. The musical has music by Lin-Manuel Miranda and Tom Kitt, lyrics by Amanda Green, and a book by Jeff Whitty.[33] [34] [35] The director and choreographer is Andy Blankenbuehler. The bandage includes Amanda LaVergne as Campbell, Adrienne Warren every bit Danielle, and Nick Blaemire as Randall, and "award-winning competitive cheerleaders from across the country".[33]

The Alliance Theatre production was nominated for eight Suzi Bass Awards, winning awards for Choreography (Andy Blankenbuehler), Sound Design (Brian Ronan), and World Premiere Play or Musical.[36] The production was nominated for ten Atlanta Theater Fan Awards from www.AtlantaTheaterFans.com in 2011.[37] The production won for Best Musical and Best Choreography (Andy Blankenbuehler).[38]

A national tour of the musical started at the Ahmanson Theatre in Los Angeles, November–December 2011 then traveled to San Francisco, Denver, Houston, and Toronto. The national bout stars Taylor Louderman as Campbell, and Jason Gotay as Randall.[39] [forty] The cast historic kicking-off the national tour of the musical on October 22, 2011 by performing skits from the show.[41]

The New York Times reviewer wrote of the Ahmanson Theatre product: "After an opening number truly-dazzles as it reveals the bandage's impressive gymnastic prowess, the score hits its stride later on Campbell transfers to Jackson High. Surging R&B grooves and churning lyrics suggest the fingerprints of Mr. Miranda ... the trip the light fantastic toe numbers for the Jackson oversupply kicking the musical into high-gear for most of the first human activity.... Like almost entertainments about the trials and triumphs of the teenage years, 'Bring Information technology On' has as much sap equally it does pep in its Dna, distinguished primarily past the electrifying dance routines and the elaborate cheer-squad performances."[39]

The musical opened on Broadway at the St. James Theatre, in a express run, starting on July 12, 2012, in previews, officially on August 1 through December 30, 2012.[42] [43] [44]

Soundtrack [edit]

Bring It On: Music from the Motility Picture was released by Epic Records on Baronial 22, 2000. Information technology features multiple tracks from Blaque, who play Clovers cheerleaders in the film.[45] It too includes songs from Daphne & Celeste, 3LW, and a embrace of the Toni Basil song "Mickey" by B*Witched.[46]

Bring It On: Music from the Motion Picture
Soundtrack album past

Various Artists
Released August 22, 2000
Genre Popular, hip hop, popular stone, dance pop
Length 47:36
Characterization Epic Records
No. Title Music Length
one. "As If" Blaque feat. Joey Fatone 3:47
two. "Meet Ya (Radio Mix)" Diminutive Kitten 2:52
3. "Mickey" B*Witched 3:29
iv. "Anywhere USA" P.Y.T. 4:06
5. "U.G.L.Y." Daphne & Celeste 3:24
6. "Bound Up (If You Feel Alright)" Da Beat out Bros. 4:00
7. "Freakin' Yous" Jungle Brothers 3:36
viii. "Cheer For Me" 95 South iv:37
9. "What'south A Daughter To Practise (Urban Mix)" Sister2Sister two:43
10. "Bring It All To Me (Remix)" Blaque feat. l Cent four:08
11. "'Til I Say And so" 3LW 3:57
12. "ii Can Play That Game" Sygnature iii:12
13. "Equally If" Blaque iii:45

References [edit]

  1. ^ Goodridge, Mike (7 September 2000). "Bring It On". Screen International . Retrieved 27 September 2021.
  2. ^ a b c "Bring It On (2000) - Box Office Mojo". Box Function Mojo . Retrieved 2010-06-10 .
  3. ^ Barnes, Katie (August 25, 2020). "Why 'Bring It On' is one of the most of import sports movies ever made". ESPN.com . Retrieved April 3, 2022.
  4. ^ a b Rizov, Vadim (July 15, 2010). "The unexpected cult condition of Peyton Reed'south "Bring It On."". IFC. Archived from the original on September 24, 2015. Retrieved August 11, 2012.
  5. ^ a b c d Hazlehurst, Beatrice (August 25, 2020). "20 years on, we suspension downward Bring It On's lasting legacy". i-D . Retrieved March 31, 2022.
  6. ^ a b "Below Deck Cold H2o Series, Summer House Wintertime Spinoff, Dick Wolf Unscripted Crime Series & Jason Biggs Game Show Lead NBCU Cable Lineup". Borderline Hollywood. thirteen May 2021.
  7. ^ a b c d e Myers, Scott (November 24, 2020). "Become Into The Story interview: Jessica Bendinger". The Blackness List web log . Retrieved March 31, 2022.
  8. ^ Scheetz, Cameron (August 25, 2020). "Bring It On at xx: The filmmakers revisit its most memorable scenes". The A.V. Lodge . Retrieved April 3, 2022.
  9. ^ a b c Wickman, Kase (Baronial 6, 2015). "'Bring It On': The Consummate Oral History". MTV News. Archived from the original on August 8, 2015.
  10. ^ a b c d Kleinman, Geoffrey. "Peyton Reed - Director of Bring it On". DVD Talk. Retrieved August eleven, 2012.
  11. ^ Coate, Michael (February 11, 2014). "Sweet Charity: The Roadshow Engagements". thedigitalbits.com . Retrieved March 31, 2022.
  12. ^ "Bring It On Filming Locations in San Diego". newtosandiego.com. Archived from the original on January thirteen, 2008. Retrieved March 31, 2022.
  13. ^ Greenblatt, Leah (October 9, 2015). "'Bring It On' bandage gets together for spirited EW reunion". EW.com . Retrieved April 1, 2022.
  14. ^ a b "Bring Information technology On: 2000". Box Office Mojo . Retrieved Baronial 11, 2012.
  15. ^ Bring It On at Rotten Tomatoes
  16. ^ a b "Bring Information technology On". Metacritic . Retrieved August 11, 2012.
  17. ^ "Cinemascore". Archived from the original on 2018-12-xx.
  18. ^ a b Scott, A. O. (August 25, 2000). "Bring It On (2000) Film Review; Potent, Modest and Sincere Behind All the Dizzy Cheer". The New York Times . Retrieved February 10, 2012.
  19. ^ a b Thomas, Kevin (August 25, 2000). "'Bring Information technology On' Has a Calorie-free Stride". Los Angeles Times . Retrieved March 31, 2022.
  20. ^ O'Sullivan, Michael (Baronial 25, 2000). "Three Cheers for 'Bring It On'". The Washington Post . Retrieved March 31, 2022.
  21. ^ Ebert, Roger (Baronial 25, 2000). "Bring Information technology On". Chicago Sun-Times . Retrieved Baronial xi, 2012.
  22. ^ David Sterritt (eight September 2000). "The Monitor Movie Guide". Christian Science Monitor.
  23. ^ Edwards, Vicky (August 25, 2000). "NOT MUCH TO CHEER Nigh". Chicago Tribune. Archived from the original on September 16, 2019. Retrieved September sixteen, 2019.
  24. ^ Nechak, Paula (October 2, 2000). "Nothing new in banal 'Bring It On'". Seattle Post-Intelligencer. Archived from the original on Oct 2, 2000. Retrieved September sixteen, 2019.
  25. ^ Taylor, Charles (Baronial 25, 2000). ""Bring It On": Ii, four, six, eight, who exercise we appreciate? Spunky cheerleaders rip-up 'the color line'". Salon . Retrieved Baronial 11, 2012.
  26. ^ Winter, Jessica (August 29, 2000). "Cheer and Loathing". The Village Voice. Archived from the original on November 11, 2012. Retrieved March 31, 2022.
  27. ^ Stack, Peter (August 25, 2000). "Umbilicus Maneuvers / Cheerleader one-act 'Bring It On' shows its stomachs, not its brains". San Francisco Relate . Retrieved Baronial 11, 2012.
  28. ^ "l All-time Loftier School Movies". EW.com. May fourteen, 2021. Retrieved Apr three, 2022.
  29. ^ Ebert, Roger (February 18, 2009). "Fired Upward". Chicago Sun-Times . Retrieved August 11, 2012.
  30. ^ Sharf, Zack (Baronial 16, 2020). "'Bring It On' Author Remembers Her Father Confronting Roger Ebert Over Negative Review". IndieWire . Retrieved April 1, 2022.
  31. ^ Blitz, Tyree (Baronial 25, 2015). "v Things 'Bring It On' Taught The states Nigh Intersectional Feminism". HuffPost . Retrieved April 1, 2022.
  32. ^ "15 Years Afterwards, 'Bring It On' Remains Our Most Surprisingly Feminist Teen Movie". Mic. August 25, 2015. Retrieved April 1, 2022.
  33. ^ a b Jones, Kenneth and Hetrick, Adam. Something to Cheer Well-nigh: Bring It On: The Musical Begins Atlanta Run January. xvi Afterward Water ice Filibuster" Archived 2011-02-02 at the Wayback Machine playbill.com, January sixteen, 2011
  34. ^ Rohter, Larry (October 27, 2010). "Lin-Manuel Miranda to Close Out Broadway Run of 'In the Heights'- ArtsBeat Blog - NYTimes.com". The New York Times . Retrieved 2010-11-10 .
  35. ^ Listing Archived December 4, 2010, at the Wayback Motorcar alliancetheatre.org, accessed November 10, 2010
  36. ^ "Suzi Bass Awards" Archived 2012-08-27 at the Wayback Machine suziawards.org
  37. ^ "Atlanta Theater Fan Honour Nominations" Archived 2012-04-22 at the Wayback Motorcar atlantatheaterfans.com
  38. ^ "Atlanta Theater Fan Award Winners Announced" Archived 2011-09-16 at the Wayback Motorcar atlantatheaterfans.com
  39. ^ a b Isherwood, Charles. "Theater Review:'Bring It On'. Power Struggles Over Pep and Loftier Schoolhouse Popularity", The New York Times, November 22, 2011
  40. ^ "'Bring It On: The Musical' to Launch National Tour at Fifty.A.'s Ahmanson Theatre" Broadway.com, February 17, 2011
  41. ^ "Stage Tube Highlights". BroadWayWorld.com, October 28, 2011
  42. ^ Staff. "3 Thank you! Bring It On: The Musical Confirmed to Play Broadway This Summer" broadway.com, May 15, 2012
  43. ^ Bring Information technology On - The Musical- at Playbill Vault playbillvault.com
  44. ^ Broadway's Bring It On Sets New Dec 2012 Endmost Date, Theatermania.com, October 16, 2012
  45. ^ "'Bring It On' at twenty: Blaque Reflect on Playing Clovers With Gabrielle Spousal relationship". Observer.com. August 20, 2020. Archived from the original on August 21, 2020. Retrieved April three, 2022.
  46. ^ "Bring It On [Original Soundtrack]". AllMusic . Retrieved April 3, 2022.

External links [edit]

  • Bring Information technology On at IMDb
  • Bring It On at AllMovie
  • Bring It On at Box Role Mojo
  • Bring It On at Rotten Tomatoes
  • Bring Information technology On at Metacritic Edit this at Wikidata
  • "Interview with Peyton Reed about the film". Archived from the original on 2008-02-10. Retrieved 2006-07-27 .

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Source: https://en.wikipedia.org/wiki/Bring_It_On_%28film%29

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